Mámbáy bebhɛp 43r / mɛnyu nɛfaŋ / bakay nɛkɔ presents an immersive sculptural and polyrhythmic audio installation, that draws on the artist’s interests in the relationship between oral culture and the natural environment. It transcribes audio signals from recordings of lullabies, chants, laments, poems and folk songs between Southeast Nigeria, Southern Cameroons and Ireland, as well as processions and intersessions between the Gulf of Guinea and Western Europe.