Name: Collider featuring Peter Brötzmann
Start: 2016-12-02T19:30:00Z
End: 2016-12-02T22:30:00Z
Location: Unitarian Church

Collider featuring Peter Brötzmann

One of Ireland's leading concert producers,Note Productionshas a twofold commitment to new music. Firstly, we are dedicated to expanding the Irish audience for jazz, world music, electronic and contemporary classical music. Secondly, we strive to bring the very best performers to Ireland. Note presents a line-up of acclaimed artists from across the musical spectrum. We aim to offer insights into contemporary culture and a perspective on new and exciting music from Ireland and around the world. We also develop and produce unique new projects and collaborations.The Irish Composers' Collective(formerly the Young Composers’ Collective) was founded in 2003 and is a non-profit organisation dedicated to providing Irish composers with a community for information, education and the pooling of resources in order to create concerts of their music with professional musicians.In particular, the Irish Composers' Collective strives to further the professional development of their members at an early stage in their careers and it has over 70 members from backgrounds as diverse as jazz, electronica and traditional music.“...the Irish Composers’ Collective (ICC) has staked its ground on the concert scene in Ireland.. a unitary ambition: to progress themselves as composers and the community of music in their country.”— Liam Cagney, The Journal of Music, 1st February, 2010Supported by theGoethe Institut

Irish Composers Collective & Note Productions

Collider featuring Peter Brötzmann 
Friday 2nd December 2016
Unitarian Church, St Stephen’s Green
Doors: 7.30pm Show 8pm
Tickets: €15/ €10 conc a/v from Eventbrite.ie
Collider: 6 composers, 3 musicians, one night..
 
Musicians
Peter Brötzmann (saxophone);  Kate Ellis (cello) and David Stalling (keyboards and synthesizer)  
Composers & Titles
Aran O' Grady - Boar Fuel;  Darragh Kelly -  Carly Rae Jepsen est mort;  Robbie Blake - a simmering;  Raeghnya Zutshi - Take Me Home;  Amy Rooney - Wer rastet, der rostet;  Martin Keary - Beat Fatigue                                  
From formal composition to improvisation, from the most delicate of acoustic whispers to the wilder discord, Collider brings together local artists and guests from around the globe to explore how music, in all its sonic manifestations, has the power to move us.
The<A HREF="http://www.irishcomposerscollective.org/" TARGET="_blank" TITLE="Irish Composers Collective" DATA-MSYS-CLICKTRACK="0" REL="nofollow noopener noreferrer"> Irish Composers Collective</A> in collaboration with <A HREF="http://www.note.ie" TARGET="_blank" TITLE="Note Productions" DATA-MSYS-CLICKTRACK="0" REL="nofollow noopener noreferrer">Note Productions</A> present a unique musical offering. 6 Irish based composers will invite an audience on a sonic adventure with the legendary, free improviser, Peter Brötzmann. Our aim is to present a musical collision, where formal composition is met by visceral counterpoint.
Supported by the <A HREF="https://www.goethe.de/ins/ie/en/index.html" TARGET="_blank" TITLE="Goethe Institut" DATA-MSYS-CLICKTRACK="0" REL="nofollow noopener noreferrer">Goethe Institut</A>
 
Musicians:
<A HREF="http://www.peterbroetzmann.com" TARGET="_blank" TITLE="Peter Broetzmann" DATA-MSYS-CLICKTRACK="0" REL="nofollow noopener noreferrer">Peter Brötzmann</A> – clarinet/ saxophone
Peter Brötzmann is one of the most important and uncompromising figures in free jazz and has been at the forefront of developing a unique, European take on free improvisation since the 1960s.  Brötzmann first trained as a painter and was associated with Fluxus (Participating in various events and working as an assistant to Nam Jun Paik) before dissatisfaction with the art world moved his focus towards music.  However he continued to paint and his instantly recognisable visual sensibility has produced some of our favourite LP sleeves as well as a number of gallery shows in recent years.
“Brötzmann’s style is one of those wondrous achievements that we hope employs digital effects, if only so we can sleep soundly at night knowing no one has that much organic power.” – Pitchfork
Self-taught on clarinet and saxophone, Brötzmann established himself as one of the most powerful and original players around, releasing a number of now highly sought after sides of musical invention including the epochal ‘Machine Gun’ session in 1968 - originally released on his own Brö private press and later recordings for FMP (Free Music Production) the label he started with Jost Gebers. Brötzmann’s sound is “one of the most distinctive, life-affirming and joyous in all music” and he has performed with almost all of the major players of free music from early associations with Don Cherry and Steve Lacy to regular groupings with Peter Kowald, Alex Von Slippenbach, Han Bennink and Fred Van Hove, the Chicago Tentet (Mats Gustafsson/Joe McPhee/Ken Vandermark and more) and various one-off and ad hoc associations with many others including Keiji Haino, Derek Bailey, Evan Parker, Anthony Braxton and Rashied Ali.
<A HREF="http://kateelliscello.com" TARGET="_blank" TITLE="Kate Ellis Cello" DATA-MSYS-CLICKTRACK="0" REL="nofollow noopener noreferrer">Kate Ellis</A> - cello
Cellist Kate Ellis is a versatile musician dedicated to the performance and exploration of all new music. With an interest in the use of electronics, Kate has commissioned and premiered works by numerous Irish and International composers and has toured and broadcast in Australia, the USA, Europe and China. Kate has performed with Bobby McFerrin, Iarla O Lionaird, Gavin Friday and Karan Casey and plays regularly with Tarab, Yurodny and the Ergodos Musicians.
<A HREF="http://www.davidstalling.com" TARGET="_blank" TITLE="David Stalling" DATA-MSYS-CLICKTRACK="0" REL="nofollow noopener noreferrer">David Stalling</A> - keyboards & synthesizer
Originally from Bochum, Germany, David Stalling has been working as a composer, sound artist and musician since the early 1990s. His works have been performed and exhibited widely in Ireland and abroad. With a sensitivity to the sonic nature of both lived in and imagined worlds, David’s practice transcends the traditional definition of composing, utilising a variety of media: acoustic and electronic sound; field recordings and found objects; video and lighting. He also experiments and improvises with self-built instruments and microphones.
 
Collider featuring Peter Brötzmann 
Friday 2nd December 2016 
Unitarian Church, St Stephen’s Green
Doors: 7.30pm Show 8pm
Tickets: €15/ €10 conc a/v from Eventbrite.ie

Unitarian Church

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Collider featuring Peter Brötzmann

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